Things are lively in the increasingly fragmented and competitive online streaming industry. In a series of cartoon releases, HBO Max has released mixed and animated action Tom and Jerry, Disney wielded the fantasy epic Raya and the Last Dragon, and, as part of their rebranding from CBS All Access , Paramount + presented a new SpongeBob SquarePants movie— “Runaway Sponge”. They are the good, the bad, and the ugly of children’s entertainment this month.
The SpongeBob movie is the “ugly one”. But not necessarily in a bad way. In keeping with the surreal aesthetic of the shows, the film is a bizarre amalgamation of the sentimental, the bizarre, and an inconsistent subterranean realm anchored (yes) by an eternally happy sponge that serves crabcakes to other sea creatures. There’s a zombie streak, Keanu Reaves’ live action head tumbleweed as a guru, plenty of gags for kids of all ages, and a Snoop Dogg cameo.
As with these three films, the plot is simple. This time, SpongeBob SquarePants and Patrick Star travel to the Lost City of Atlantic City and save SpongeBob’s pet snail Gary from King Poseidon. But unlike the other two, this one feels happy enough not to take himself too seriously and to put together all the great ideas he has in the service of entertainment. It ends with Frankenstein-ugly, but also a surprisingly good commercial for SpongeBob’s prequel, “Kamp Koral: SpongeBob’s Under Years,” which also premieres on Paramount +.
Tom and Jerry’s astrophe “cat”
“Tom and Jerry” is the “bad” movie of the three. And it’s not because of something interesting “bad” about it. The technical marriage of the filmed and illustrated character is impressive. You should watch a clip or two if you are learning contemporary cinematography. But the film is bad. The Tom and Jerry franchise normally produces short cartoons because it has a limited premise. The cat tries to inflict violence on the mouse, fails; the mouse facilitates a cold, intelligent and unspeakably brutal revenge. Turning that premise into a feature film is a thankless task for producers who present their meta-task as the theme of the film.
Given the challenge of creating an effective product with characters who engage in chaotic violence that always ends the same way, Warner Bros. made a film about the challenge of creating an effective product with characters who engage in a chaotic violence that always ends in the same way. . Director Tim Story (Ride Along and Ride Along 2) aims for feature film storytelling despite the reductive violence of Tom and Jerry cartoons that constantly bypasses everything. In the movie, Kayla (Chloe Grace Moretz) tries to do the same. As the event coordinator, she is the director, trying to produce a marriage between Preeta (Pallavi Sharda) and Ben (Colin Jost) despite the constant chaos of Tom and Jerry cartoons destroying the location. Since writing the end of the film, Kayla has had success, but unfortunately that success does not come from Story’s own project.
Instead of telling a story, Warner Bros. hired one. The cast of Story includes Rob Delaney (as a hotel manager) who seems to find his breakout show disasters Catastrophe less catastrophic. The plot includes a lot of meaningless drama about a celebrity wedding set to take place; apparently men and women are different and ethnic cultural differences exist! Insider gags include a prison cameo for Roger Rabbit as a tribute to the live animation. This is the movie. Do not see it. Unless, of course, you’re stumped at how a movie set in the heart of New York City – and with Tom and Jerry making an entire day of New York City sightseeing – can be so unlike New York City. In this case, I warmly recommend it, you will love this movie.
Happiness for all ages
What about Disney? They claim to “create happiness by providing the best in entertainment for people of all ages, everywhere”. It’s a lofty aspiration but, oddly enough, you can smell the claim in Raya and the Last Dragon, for which even Disney + streaming channel subscribers have to pay an additional $ 30. On the one hand it’s cheesy, on the other hand it’s actually beautifully produced, almost epic in scope and, although it really tries to be good for everyone, with big eyes on the Asian market, it is edifying.
‘Raya’ has a children’s movie / video game challenge – the kingdom has been divided, the dragons are gone and the Earth is dying, our hero’s task is to collect the gems and find a dragon for unite the kingdom and heal the Earth. No spoilers, but it’s obvious from the start what needs to happen, and while tugging on our chords, it plays out in a visually and dramatically satisfying way. The title dragon is a bit boring, but there are a lot of new types of cute animals out there, so we might have less satisfying spinoffs in our future.
HBO’s stated mission, on the other hand, is to “strive to develop the best shows and movies that exemplify the incredible power of storytelling.” If, taken as a whole, these three animated children’s films tell us anything, it’s that there are countless new techniques for telling stories, even within the strict confines of an animated feature film. in early 2021. I’m just glad I did. You don’t have to pay HBO extra to learn this from Tom and Jerry.